Anna Caterina Antonacci
Anna Caterina is regarded as the best soprano of her time. She was awarded awards at each of the Voci Verdiane Callas competition and the Pavarotti Competition. The highest honor she can receive is the title of Chevalier de l'Ordre National de la Legion of Honour, which is awarded by the French Republic. Era la Notte was her debut album for Naive and received a lot of praise. Her next album, L'Alba separa dilla luce of the ombra, on Wigmore Live featuring Tosti Ciela and Hahn with Donald Sulzen has been equally popular. Anna Caterina is one of the Accademici Effettivi, as voted by the distinguished panellists at the General Assembly of the Academicians of Santa Cecilia. The time for this was in the year 2021. This season has seen Anna Caterina perform the role of Madame de Croissy in Poulenc's Dialogues des Carmelites in a new production directed by Emma Dante at the Teatro dell'Opera di Roma. She will return to the character later this season, at the Bayerische Staatsoper. Anna Caterina Antonacci is an Italian soprano, best known for her performances in the bel canto and Baroque repertories. She was the Rossini Canon mezzo-soprano. Anna Caterina Antonacci's height is not currently available at 62. We'll update Anna Caterina Antonacci's height, weight Body Measurements Eye Color Hair Color Shoe & Dress size soon as possible. She is currently unmarried. She's not in a relationship. We have no details about the relationship she has had in the past. As per our Database, She has no children. Between 2022 and 2023, her net worth is expected to increase dramatically. What's Anna Caterina Antonacci's networth now at the age of at 62? Anna Caterina Antonacci gets most of her earnings because she is a well-known singer. Anna Caterina Antonacci's earnings come mostly derived from her success as a artist. She was a mezzosoprano who focused on Rossini's canon over many years. Antonacci, a Bologna-trained artist that performed her Arezzo debut in the role of Rosina, in 1986. The full profile of her was published by the New York Times in March 2012.
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